Ure Museum Database



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There are 20 objects for which Attribution contains → attributes
14.9.86 Beazley attributes this to the Manner of the Haimon Painter: ABV 564.587 2003.65.0007.jpg
22.3.30 Trendall and Cambitoglou, RFVA 1.201.75, attributes this fragment to the Iliupersis Painter 2004.73.0002.jpg
22.3.43 Trendall, LCS 372.89, attributes this to the workshop of the Capua Painter because of the rendering of the sakkos, worn by the woman. 2003.97.0370.jpg
23.4.1 Ure attributes this as a 'late work' of the Q Painter: JHS 64 (1944) 75 no.43 2003.24.0005.jpg
25.9.4 Ure (CVA) attributes this to the 'Workshop of the Beldam Painter' 2003.12.0074.jpg
26.12.17 Beazley attributes this to the Manner of the Haimon Painter: ABV 564.581 2003.10.0099.jpg
26.12.18 Beazley attributes this to the Manner of the Haimon Painter: ABV 562.556 2003.10.0098.jpg
26.12.19 Ure (CVA) attributes this vase to the 'Manner of the Emporion Painter' 2003.12.0082.jpg
26.7.2 Beazley attributes this to the Manner of the Haimon Painter: ABV 562.557 2003.09.0004.jpg
26.8.3 Katerina Volioti attributes this to the Emporion Painter, on the basis of the extensive use of black and absence of white, as well as the many black dots. Beazley attributed itto the 'Manner of the Haimon Painter': ABV 546.225 2007.01.0092.jpg
29.11.3 Ure (CVA) attributes this to the 'Manner of the Haimon Painter' 2004.07.0097.jpg
34.8.4 Ure (CVA) attributes this to the 'Workshop of the Beldam Painter' 2003.12.0077.jpg
34.8.5 Ure (CVA) attributes this to the 'Manner of the Haimon Painter' 2003.97.0434.jpg
34.8.6 Beazley attributes this vase to the 'Manner of the Haimon Painter': ABV 545.179 2011.03.0013.jpg
49.8.3 Trendall, LCS 540.784, attributes this vase to the earlier style of the Branicki Painter (which is of a higher standard than his later works). 2004.04.0009.jpg
51.4.10 Ure attributes it to the same hand as mastoid cups in Vienna (Vienna 296) and in New York (ex Coll. Gallatin): CVA Fogg Museum and Gallatin Collections pl. 41.4 2010.98.0125.jpg
51.4.6 Beazley attributes this 'Near the C Painter': ABV 61.7 2003.99.0022.jpg
51.7.11 Trendall, PP 159.275, attributes this krater to Python's 'more developed' style 2010.99.0139.jpg
REDMG:1947.13.1 Trendall and Cambitoglou, RVAP 2.815, attributes this amphora to the Split-mouth Group, which they compare to the Group of Trieste S 403. 2003.93.0004.jpg
REDMG:1951.159.1 Trendall and Cambitoglou, RVAP 2.815, attributes this amphora to the Split-mouth Group, which they compare to the Group of Trieste S 403. 2005.89.0030.jpg
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