Ure Museum Database



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There are 10 objects for which Attribution contains → no
26.12.10 Ure (CVA 18): 'In general similar to those painted in the Krokotos-White Heron Workshop, but there is no reason to suppose it was painted in that workshop' 2002.99.0029.jpg
45.10.1 A.C. Smith. The lotus bud is quite unusual, and this and other decorative elements relate this epichysis to the Egg and Wave Group, a workshop that specialised in small vases and was related to he Iliupersis Painter. There is also a slight resemblance to the work of the Lampas Group, followers of the plain style: cf. Scottsdale, Cutler Collection (RVAp 11/206a). Although no other epichyses have been attributed to this group/artist, the group seems to represent the work of a versatile artist, influenced by the Truro and Lecce Painters and associates, who favored smaller vases, specialising in single figures, often animals, surrounded by ornament of the type shown on this epichysis, especially tendrils, buds, and bulls-eyes, with large added white dots. Cf. especially Karlsruhe B 938 (RVAp 10/232) and New London, Lyman Allyn Museum 1955.1.83 (RVAp 10/234). 2004.99.0028.jpg
50.4.16 Belongs to the same workshop as 14.9.109, according to D.W.J. Gill. Sparkes and Talcott, in Agora 12, 140 no. 17, suggest that this piece is probably from the same workshop that made deep Acrocups. 2003.92.0176.jpg
L.2011.1.37 For the sacred monogram in the central discus see to Catalogue of the lamps in British Museum, vol III, 27, pl. 20, group I(c)iii, no Q1761, Hayes type IIB; comparisons in Ennabli 868-76; Hayes ROM 290, all from Carthage. For the shoulder decoration (herring-bone pattern), compare with Q2568, Q2569 (Catalogue of British Museum). 2011.97.0263.jpg
L.2011.1.41 Comparisons with the shoulder decoration in Catalogue of British Museum, vol. III, no Q1770 MLA, pl.21, fig. 34. 2011.97.0303.jpg
L.2011.1.42 For the shoulder decoration comparisons in the Catalogue of the British Museum, no Q1765 2011.97.0249.jpg
L.2011.1.43 For the decoration of the central discus, see the Catalogue of British Museum, vol. III, group I(c)iii, no Q1759. For the quatrefoil pattern on the shoulder, compare to Q1768, Ennabli type I4. 2011.97.0236.jpg
L.2011.1.44 For the shoulder decoration see the Catalogue of British Museum, vol. III, no Q1771, pl. 21, fig. 34, with a shoulder-frame hearts (Ennabli M6) 2011.97.0278.jpg
L.2011.1.48 Deneuve type VII A o B; For the scene in the central discus, a Nereid riding a sea-bull, see the Catalogue of British Museum, vol. II, group I(b)x (Followers of Neptune), no Q886 type B 2011.97.0370.jpg
REDMG:1951.142.1 No precise comparanda have been found but the ornament on this vase relates it to the works of the minor painters and workshops associated with the Iliupersis Painter and other painters (Cambitoglou and Trendall, RVAp ch. 11). Cf. particularly Liverpool 50.60.65 (RVAp 11/116). 2004.99.0702.jpg
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