Ure Museum Database

There are 11 objects for which Attribution contains → vases
45.10.1 A.C. Smith. The lotus bud is quite unusual, and this and other decorative elements relate this epichysis to the Egg and Wave Group, a workshop that specialised in small vases and was related to he Iliupersis Painter. There is also a slight resemblance to the work of the Lampas Group, followers of the plain style: cf. Scottsdale, Cutler Collection (RVAp 11/206a). Although no other epichyses have been attributed to this group/artist, the group seems to represent the work of a versatile artist, influenced by the Truro and Lecce Painters and associates, who favored smaller vases, specialising in single figures, often animals, surrounded by ornament of the type shown on this epichysis, especially tendrils, buds, and bulls-eyes, with large added white dots. Cf. especially Karlsruhe B 938 (RVAp 10/232) and New London, Lyman Allyn Museum 1955.1.83 (RVAp 10/234). 2004.99.0028.jpg
45.6.72 Trendall, LCS 178.1067: possibly by the Primato Painter, but belonging to a group of 'minor vases' that may be 'workshop pieces' (176). 2003.26.0005.jpg
45.8.2 Trendall and Cambitoglou, RFVA 1.282.196, class this pelike with 'vases near in style or comparable' to the Thyrsus Painter. 2011.98.0080.jpg
49.4.2 Trendall and Cambitoglou, RFVA 2.955, 2.956.375, class this hydria among the 'naiskos vases' associated with the followers of the Baltimore Painter and the Patera Painter. 2001.99.0150.jpg
50.4.5 Beazley 1947, 182 named this group of Etruscan vases decorated with (floral) patterns after one of the several similar type 7 oinochoai in Toronto. Look for ref. to Harari ? 2008.99.0569.jpg
REDMG:1934.53.4 A.C. Smith. Shirley Schwarz, 'The Pattern Class Vases of the 'Gruppo di Orvieto' in the U.S. National Museum Collection, Smithsonian Institution, Washington, D.C.' StEtr 47 (1979) 75-80 publishes 17 examples of this class, none of which, however, are decorated with the 'z'. That pattern does, however, appear on chalices in the same group: see Schwarz 1979, 72 fig. 2d. 2004.99.0437.jpg
REDMG:1935.87.32 Trendall and Cambitoglou, RFVA 2.765, 2.772.91, assign this column krater to the Group of Taranto 9243 (formerly known as 'Group of Taranto 2996'), a subgroup of the Amphorae Group, the vases in which 'must be products of the workshop of the Patera Painter'. 2005.89.0042.jpg
REDMG:1951.139.1 Trendall and Cambitoglou, RFVA 2.717.851, class this vessel with vases 'associated in style with the Painter of the Kassel Cup'. 2004.99.0655.jpg
REDMG:1951.140.1 Trendall and Cambitoglou, 2.137 and 2.139.32, class this hydria among the early vases attributed to the Painter of Karlsruhe B9, a follower of the Tarporley Painter 2004.99.0810.jpg
REDMG:1951.148 Trendall and Cambitoglou, RFVA 1.317 and 1.320.25, class this among vases in the 'developed style' of the Snub-nose Painter. 2003.93.0269.jpg
REDMG:1951.160.1 Trendall, LCS 132.670, places this bell krater in the earliest group of vases attributed to the Roccanova Painter, which 'show Apulian influence most clearly' yet indicate the Roccanova Painter's developed style, e.g. the Z pattern, the palmette between the figures, and the stocky style of the figures. 2003.95.0072.jpg
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