Ure Museum Database

There are 253 objects for which Decoration contains → brown
13.10.19 Interior reddish brown colour, exterior a light beige to salmon coloured. No indiction of a pattern. 2008.99.0139.jpg
13.10.20 White slip on brown clay. 2008.99.0204.jpg
13.10.26 Exterior colour quite pale with several large white patches and ridges, interior coated in brown paint. 2003.92.0071.jpg
14.9.110B Feeder but with no lid or strainer. Body is black inside and out. The side of the foot ring is grooved and black in patches. The base is flat and reserved around the edge but reddened in the most part with an irregular brown ring in the centre. 2003.97.0483.jpg
14.9.20 No finished edges. Red core and red interior. White on outside with dark brown / red detail in a triangular shape. 2007.03.1286.jpg
14.9.31 Fragment of rim of vase. Interior is reserved except for a black band around rim. The exterior is painted dark brown with four horizontal bands of red covered with white dots. There is a narrow band of orange just below rim. The walls thin at the rim. 2007.03.1287.jpg
14.9.40 Buff clay with dull black paint. The outer surface has a band at the rim with a double foliate band on body with another plain band below. The inside surface is chocolate brown faded from black. 2003.01.0095.jpg
14.9.51 Underside is reserved. Chocolate brown on whitish-buff. The topside has the lower part of a bird including a leg and foot at top with two broad bands below. The bird may be a duck or the like and appears to be running to the right. 2003.01.0086.jpg
14.9.53 Brown, in places very pale, on buff. Scale pattern above three broad bands. 2005.02.0442.jpg
14.9.59 Series of banded sections on pale buff background. Top section plain painted band faded to brown, followed by band of small black dots between two lines, then thick black band and 2 thin black lines then another black band that has faded to red and finally a thin black line with one further band that covers the corner and is visible on the bottom. The rest of the bottom is the pale buff of the clay. Inside has traces of brown paint particularly near the top. 2006.20.0333.jpg
14.9.61 Outer edge has row of dark brown dots. On top, first band is same dark brown colour which is followed by 3 redder bands, a row of dots the same colour and 3 more reddish bands. All the bands are approx. the same width.Background is pale buff. Underside is reserved. 2006.20.0320.jpg
14.9.66 Yellow band, followed by brown band, then black irregular shape (possibly a flower) with a thick S shape next to it both partially obscured by red band. This is followed by three pale bands and 7 black line at right angles to these, 6 of which reach down to the 2nd pale band passing over the 3rd and the last only reaches the 3rd band. Background is pale buff. Inside painted black. 2006.20.0331.jpg
14.9.74 Outside on creamy background in handle zone guilloche at handle 2 vertical curving lines, above, zone showing only one black square frames w. lines of thinned black, below, plain band of black thinned at edges to golden brown. Below this, meander. Cream slip. Inside black with a pair of white bands. 2013.04.0005.jpg
14.9.75 At the top is a triangle of black, with a smaller triangle below leading to a dark brown line. There is a similar line parallel to this one on the left. Both lines are at right angles to a braoder dark brown line. Nestled between two faint brown lines are five white circles with black circles in the centre. There is just a small area of dark brown/black on the bottom right hand corner. Other side is reserved. 2013.04.0008.jpg
2003.7.16 Curved fragment with rim and stump of handle suggests it was a bowl or cup due to how it open it appears as a shape. The interior is painted entirely in black, with a hint of red (fading?) near the top. The exterior has two black bands, one on the rim and one below the rim which also covers the handle stump. Beneath the handle there is a strip of faded white paint, followed by a red/dark brown stripe, then the rest is white with a thin horizontal black line and possible a thicker vertical black line dividing the white decoration in half. 2007.03.1212.jpg
2003.7.18 Part of a base of a bowl/jar. Interior is painted in bla, Exterior: bottom of body, side of rim on base and inside of rim on base is painted in black. Then the underside has a broad band of white, and an inner circle of red/dark brown paint. 2007.03.1214.jpg
2004.5.1 The face is moulded, with ringlets at forehead, beaded hair at sides, and wavy locks as a beard, tongue protruding from mouth. The face is encircled in a u-shaped element terminating in volutes; petals on the outside. The face and other decoration are painted brown; a painted band beneath the face indicates the top of the dress. 2007.01.0057.jpg
2005.3.13 Black glaze fired to dark brown, fingerprint is visble on one side of the vessel 2006.20.0361.jpg
2005.3.16 Black, section with white slip, interior black which has been fired to a dark brown
2005.3.17 Black on dark brown clay, possibility of band and fill ornament, interior is black 2006.20.0355.jpg
2005.3.28A-B A: Whitish slip with bands of decoration, zigzags in added red and straight lines in brown. Interior has a wide band of red at rim, rest is white slip, possibilty of an interior ornament, circular shape in red visible at edge of fragment. B: exterior and interior same as A.
2006.12.116 Black paint on inner surface; black and faded brown lines on outer surface.
2006.12.12 On the inner surface shallow and thick black/red-brown lines with thick section of black paint. On outer surface there are spiral patterns in between two sets of lines in brown. 2007.03.0865.jpg
2006.12.124 Black paint on inner surface; bands of faded brown and thicker black paint on outer surface.
2006.12.14 Line of brown paint around rim, with dark brown dots on orange-brown lines below. Zig zag pattern of brown lines beneath this 2007.03.0442.jpg
2006.12.15 One half of outside is grey lines on a white surface, in an unidentifiable pattern; Other half is hatched grey lines on white paint with brown spots in centre and red band just visible at very edge of fragment; all decoration appear faded 2007.30.0050.jpg
2006.12.17 Brown circular lines on both inside and outside of fragment 2005.02.0330.jpg
2006.12.18 Chequered pattern on rim with large squares; brown glaze over main body of fragment. There is a thick layer of red/brown glaze on the inside. 2007.03.0899.jpg
2006.12.21 Inside painted black with red band at rim; Outside dark brown band by rim, with black paint below chipped band 2007.03.0529.jpg
2006.12.23 Black lid with finely painted concentric rings of red and white on upper surface, lower surface painted brown 2007.03.0430.jpg
2006.12.38 Painted bands of brown, white and red. Top band has brown wavy line on it 2007.03.0951.jpg
2006.12.39 painted brown geometric design with bands that could be concentric circles, chequers and what could be an eye shape 2007.03.0949.jpg
2006.12.40 Brown concentric circles around pot, 3 narrow, 2 broad. Parallel lines meet these circles at right angles, with zig-zag lines between the groups of parallel lines 2006.78.0016.jpg
2006.12.43 Brown red diamond shapes with central hatched square 2007.03.0944.jpg
2006.12.44 Three brown painted bands with two lines joining them at right angle, with two small lines at right angle at edge of fragment, possibly an animal's leg 2007.03.0946.jpg
2006.12.48 Thick brown lines with narrower lines joining at right angles, with a possible ray joining one of the bands 2007.03.0933.jpg
2006.12.49 Likely originally black all over, now with areas of brown discolouration 2007.03.0931.jpg
2006.12.50 Largely black and white with brown and orange rings. Part of a figure pattern is visible, but not enough to make an analysis 2007.03.0508.jpg
2006.12.55 Black and brown lines on white background running parallel; near edge of fragment others at perpendicular angle to other lines; worn decoration 2007.03.1119.jpg
2007.4.101 Black paint on inside; red and brown parallel lines on outside 2007.03.0625.jpg
2007.4.105 Parallel dark brown lines 2007.03.0576.jpg
2007.4.115 Red brown zig zag pattern on white paint; heavily chipped and worn 2007.30.0025.jpg
2007.4.117 One surface has black paint with concentric white bands; other surface has brown paint with concentric white bands; worn 2007.30.0029.jpg
2007.4.122 Black paint on inner ? surface; brown paint on outer ? surface; small size of fragment makes definitive assessment difficult 2007.30.0032.jpg
2007.4.126 Black paint on inside; outside has lines of faded brown on a white background in both parallel line designs and chevrons; heavily worn 2007.30.0044.jpg
2007.4.128 black paint with band of uncoloured on inner surface; Thick black bands with thinner faded brown bands on white paint on outer surface; worn and chipped 2007.30.0042.jpg
2007.4.178 thick brown lines
2007.4.188 Shard painted brown, except along a straight line across shard of material colour
2007.4.22 Two stripes parallel to one another; one a brown colour while the other is black. 2007.03.0805.jpg
2007.4.229 Faded red brown zig-zags.
2007.4.77 Red, orange and brown lines in parallel, with lines from a ore complicated looking design perpendicular to them at edge of fragment 2007.03.0606.jpg
2007.4.84 Outer surface half reddy brown, half black 2007.03.0581.jpg
2007.4.85 Faded red brown lines and badly worn small shapes 2007.03.0710.jpg
2007.4.91 White slip with parallel brown lines painted on 2007.03.0642.jpg
2007.4.97 Black lines on outside with very faded brown lines perpendicular, red paint on inside 2007.03.0686.jpg
2007.4.99 Dark brown paint on inside and outside 2007.03.0573.jpg
2008.7.10 Thick and thin alternating bands of brown glaze
2008.7.115 Covered in a brown glaze/wash
2008.7.121 Brown glaze/wash over exterior of fragment
2008.7.13 Black Brown and Purple alternating strips of glaze
2008.7.158 Interior: 3 yellowish-brown horizontal parallel stripes towards upper edgde. Exterior: small handle towards righthand corner at 90 degrees to fragment. Underneath this, three parallel horizontal stripes overpainted in brown.
2008.7.169 Exterior: white/beige glaze overpainted by thin horizontal brown lines, small brown specks, and black round marks; rim(?): black line?; interior: brown glaze with one thick black line.
2008.7.171 Exterior: reddish brown glaze; interior: same reddish brown glaze.
2008.7.175 Exterior: white/beige glaze overpainted by brown zig-zag pattern; interior: black glaze.
2008.7.176 Possible small brown mark on interior near broken edge.
2008.7.178 Exterior: brown glaze? bits of red pigment; interior: black glaze? brown or black curved lines?
2008.7.179 Exterior: several (at least eight) horizontal parallel thin brown(?) lines; interior: brown glaze?
2008.7.18 Light brown exterior glaze with darker reddish-brown decoration. Seven parallel lines perpendicular to three other lines, all of the reddish-brown color. Also the edge of a rounded design, also reddish-brown. The interior is glazed reddish-brown, but a redder hue than the color from the exterior decoration.
2008.7.180 Exterior: white glaze overpainted by horizontal brown lines and one red band; interior: black glaze.
2008.7.185 Exterior: brown(?) slip overpainted by a geometric pattern of horizontal, vertical, and diagonal black(?) lines; could also be white(?) lines.
2008.7.187 Exterior: possible brown slip, entire surface is a series of parallel ridges.
2008.7.189 Small patches of possible brown and black decoration on interior and exterior.
2008.7.19 Exterior is glazed red; interior is glazed brown.
2008.7.197 Interior: brown overpaint. Exterior: remnants of part of a line of black overpainted decoration
2008.7.199 Interior: brown overpaint
2008.7.20 Exterior light-brown glaze. Overpainted by eleven dark-brown (black?) vertical lines that end in two parallel brown lines. There are six further brown horizontal lines parallel to these. All of the lines are of roughly the same thickness (ca. 0.2). Interior is reddish-brown glazed.
2008.7.21 On the exterior three parallel brown lines. Also, three curved reddish-brown lines (concentric circles?). On the interior, a dark brown glaze.
2008.7.22 Exterior is half natural baked color, half brown. Four parralel brown and reddish-brown horizontal lines overpainted of uniform thickness (ca. 0.1), one on brown half and three on natural half. Interior dark-brown or black glaze, nine brown and reddish-brown overpainted parallel horizontal lines of varying thickness.
2008.7.23 Exterior: beige slip overpainted by two parallel horizontal thick (0.6) brown lines outlined in black, two thick curved brown figures outlined in black, one small egg-shaped black mark. Interior: bottom third dark-brown to black, upper two thirds probably reddish-brown but heavily chipped and worn.
2008.7.25 Exterior beige glaze overpainted by two black lines and one brown line (darker in the middle). Interior glazed black.
2008.7.26 Exterior glazed light-brown, overpainted by three parallel horizontal brown lines - one slightly darker than the other two - and a black curved/spiral shape.
2008.7.3 9 parallel lines of brown slip beside which there is black glaze. Brown slip on sides of fragment
2008.7.30 Exterior glazed gray-beige, overpainted by two parallel thick (0.8) brown curving lines.
2008.7.32 Exterior has two parallel thick (0.8) brown curving lines.
2008.7.33 Exterior has two parallel thick (1.3 and 0.7) brown curving lines.
2008.7.34 Exterior glazed black overpainted by five horizontal parallel lines on the bottom half of the fragment. Three are brown, two are beige. The colors alternate. Interior glazed black.
2008.7.35 Exterior: one horizontal dark brown line running along the approximate intersection of shoulder and body. Just below this are two small dark brown dots of similar but different sizes. Above the line is a thick, wavy, erratic, dark brown line that dominates the fragment from the line up utn il just under the rim. Interior: two horizontal parallel dark brown lines. The top one is right up on the edge of the rim, the other slightly removed below it.
2008.7.36 Exterior: thick brown horizontal line along the rim, and another similar line along the join of neck and shoulder. Traces of other linear decoration of the same brown color. Interior: thick brown horizontal line along the rim.
2008.7.38 Exterior has one thick horizontal brown line.
2008.7.4 Red wash on exterior; brown gloss on interior.
2008.7.43 Exterior has three (two thin, one thick) parallel brown curving lines.
2008.7.45 Exterior: three parallel black horizontal lines on the bottom of the fragment, a squiggly irregular black lines on the side of the rim, and a black line following the exterior edge of the rim; rim: seven parallel short brown lines, all perpendicular to the rim; interior: reddish-brown glaze, darker near the rim and fading slightly down the fragment.
2008.7.48 Exterior: two thick brown parallel horizontal lines, the upper of which has two thin brown parallel lines coming off at a shallow angle.
2008.7.53 Exterior has six thin horizontal parallel brown overpainted lines; interior glazed brown, with one or two possible thin reddish brown horizontal lines (could just be faded wash).
2008.7.58 Glaze appears to be of a darker brown on the rim than elsewhere on the fragment
2008.7.62 Interior: black wash. Exterior: thin parallel lines faintly visible at top and bottom of fragment. Between these, patches of overpainting in cream, black and brown remain.
2008.7.69 Exterior: 10 narrowly-spaced parallel horizontal lines overpainted in brown. below this 9 small circular grey dots in a horizontal band with a zig-zag pattern below in brown.
2008.7.71 Exterior: horizontal pattern of 11 narrowly-spaced parallel zig-zags overpainted in brown.
2008.7.72 Exterior: 10 thin, narrowly-spaced, parallel, horizontal lines overpainted in brown.
2008.7.77 Exterior: Thin, narrowly-spaced, horizontal parallel lines overpainted in light brown.
2008.7.8 Wide bands of brown glaze
2008.9.18 Interior: traces of a pinkish wash. 1 short diagonal line overpainted in brown remains. Exterior: narrow horizontal raised lip across longest edge of fragment with a narrow parallel line overpainted in brown below this. Several narrow vertical parallel lines join onto this and there are traces of a redish-brown wash.
2008.9.27 Interior: greyish-black wash. Exterior: 2 curved narrow parralel lines run along one edge of fragment, the upper overpainted in greyish-black and the lower in brown. Below these are 3 solid crescent shapes overpainted in greyish-black.
22.3.23 Figural scenes are separated by tendril patterns. A: woman seated on ground, holding tray. B: Eros kneeling on one knee holding tympanum and mirror. Circular incised patterns in field. Brown for womans girdle and border of himation. White (now lost) for some detail. Underside of lid is black. Central knob handle has circular tendril pattern with a black band around. 2003.26.0096.jpg
22.3.33 The fragment bears the depiction of a youth in three-quarter face, while drawing a bow. What is illustrated is the face, except for part of the hair (left side), part of an himation over his left shoulder, the arms (the right one before the hands, the left one before the forearm), the chest and the left side of the abdominals?, behind which emerges the ending of the himation. The cheek and the back have been executed with relief contour, whereas thinned brown glaze has been used for part of the hair. The interior is black, with a reserved band ca. 1 cm wide. 2004.11.0009.jpg
22.3.41 Painted exterior decoration in dark brown and dark red on a cream ground. Below a broad brown band is a red band, between two white lines, and then another brown band. The lower body is decorated with a series of vertical brown lines, between pairs of red and brown bands, all between two curvilinear patterns each comprised of two concentric circles around a single dot. This entire motif is enclosed in a lens-shaped space, between dark brown patches, underlined by more red bands between white lines. The flat bottom is decorated with a curvilinear diamond crossing a cross, both in dark brown, inscribed in a dark brown circle. 2004.99.0530.jpg
23.11.31OO Profile figure facing the direction right. does not appear to be a Spartan warrior. possibly a Persian warrior or leader? face. helm and armour slightly visible though. defining feature is a ponytail at the back of his helm. not clear whether he is carrying any weaponry. representation of Persian King Darius or Xerxes from the Persian Wars? lead figures part of a large relief commemorating the war? or just used for ritual purposes with the flogging at the Temple of Artemis Orthia? pretty good condition. lead is an off-colour brown grey, similar to 23.11.31h. bears no similarity to the other lead warriors, as it is a lot thinner than them and lacks a shield. 2005.06.0099.jpg
25.6.1 Three bands on saucer shaped mouth. Flanged sides, one band. Daisy pattern on shoulder. Cinquefoil with leaves touching central wheel and extends onto base of pot. Rough light brown cross on body below handle. 2003.98.0205.jpg
25.9.1 Inside is black with a reserved band below where mouth begins to flare. The mouth is wide and flares outwards. On the exterior surface at the top is a patterned band of two rows of 'cccc' shapes, one row above the other. Two handles, one each side are black and it is hard to distinguish what is on the body behind the handle (maybe a panel with dots?). On side A, Eros flies towards a woman who retreats towards youth seated naked on a folding garment and holding alabastron. Side B shows 2 youths, clothed, the one on the right holding a stick. Brown for feathers at top of Eros' wing. White garland, neckless, bracelet of woman and fillet held by Eros. Below them is a reserved panle with egg shapes with dits in between. Stem and top of foot black, reserved band at top of foot. Base reserved. 2003.23.0003.jpg
26.12.30 The inside of the cone is reserved. Bottom of bowl inside is brown, probably because another base was placed inside it for firing. Heavy faine (?). 2002.97.0296.jpg
26.12.6 Pale greenish clay once decorated with black paint, now brown. Two handles left reserved. Mouth black and on shoulder is a daisy-petal pattern. Just above the widest part of the body is a single row of dots and the rest is banded. 2003.03.0086.jpg
26.2.100 Glaze a rather leaden black outside, chocolate brown inside. A festoon of lanceolate leaves in thinned clay hanging by means of an incised zigzag (debased arcs) from a white fillet. 2013.04.0026.jpg
26.2.16 Outside of body streay black carying in part to brown. inside, brick-red bands alternating with groups (six, four six) of thin lines of diluted glaze on a ground lighter still (very pale brown). On the reserved foot an incised N or M. 2003.45.0056.jpg
26.2.2 Lotus chain in handle zone (only part of interlacing stems preserved). Broad concentric bands of red, black and orange with the orange bands separted by bands of brown gloss. 2013.04.0046.jpg
26.2.34 No finished edges. The underside has three brown bands only slightly darker than the clay itself. The topside has a central design of concentric circles linked by three lines supporting two leaves. This design is between two bands of white-red-white on black. 2004.46.0062.jpg
26.2.39 No finished edges. On the underside of the dish fragment, on creamy-buff slip, are the slight remains of floral(?) zone above a black band thinned to golden brown at bottom with black rays and rough dots below that. The topside is onate with a meander pattern inside two bands at bottom of fragment with black above with white-red-white band superimposed. Above this band are red and white swirls surrounded by dots. 2004.46.0059.jpg
26.2.41 Inside unpainted. Hind part of ruminant, perhaps bull, in which case the wavy lines descending on the right may be part of tail. Streaky black on brown. 2003.46.0004.jpg
26.2.42 Inside unpainted. Goat to left with head turned back, reserved bands on belly and shoulder, spiral field ornament; rays. Black, partly fired red, on reddish brown. No traces of slip, but the surface is badly worn. 2013.04.0099.jpg
26.2.43 2 zones of grazing goats; upper one head to right, and hind feet of a second goat, the lower: horn and back of goat facing left;black verging on brown or dark red, on thin cream slip, clay reddish, one edge of meander cross field ornament preserved on upper zone. 2003.46.0078.jpg
26.2.60 Outside on cream ground, row of blobs between horizontal bands in black thinned to golden brown; top of curved shape below, Inside, lotus in white outline on black with red centres to petals. 2013.04.0144.jpg
26.2.61 Exterior white with a small line of brown at the top. Interior brownish-black (except reserved within 0.2 cm of the lip) with lotus in white outline framing red centre. 2007.03.1185.jpg
26.2.62 Outside on creamy-white ground in brownish black, leg of seated lion or sphinx, handle zone, saw pattern and group of veritical lines, inside: streaky brown, with superimposed white band near bottom, at right edge, half round hole indicating rivetting. 2013.04.0148.jpg
26.2.63 Outside, on white slip, black vertical lines running down to horisontal band of golden brown at bottom corner; inside: black.
26.2.64 Exterior creamy ground white with a pattern of nearly parallel brown curves that get increasingly shorter, creating a pie slice shape (perhaps the folds of skin on the neck of a bull, fracing right), along with part of a lower eyelid. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white, probably white outline of lotus flower (or two) with a red centre. 2013.04.0152.jpg
26.2.67 Lower part of bowl with trace of beginning of conical foot, outside: on creamy ground, bands alternating purple red and golden brown, Inside: on streaky brownish black, 3 groups of bands white- red-white, and between bottom, 2 groups of white daisy petals 2003.20.0003.jpg
26.2.71 Outside: on cream ground, line of oblong black spots, one smudged, just below rim, between thinned lines of golden brown. Inside: on black, large white dots between bands, reserved and brown above, 2 white below; lotus bud in white outline with red heart. 2013.04.0167.jpg
26.2.90 On top faded lotus-palmette chain and, where handle plate began, tail of bird or siren. On side step pattern. On underside one plain band, now golden brown. 2013.04.0211.jpg
26.7.1 Handles have a mixed pattern of horizontal lines at the top and bottom with vertical lines in the middle with the underneath reserved. Inside is almost ribbed in texture and painted black/brown with convex circle at centre. Outside is reserved apart from pattern which is similar both sides. Central design is a four-spoked wheel within two circles flanked by two horizontal patterns of crossed lines and three vertical lines. Below is two bands then brown almost to bottom except for a thin reserved band at base. Underneath is flat and reserved. 2003.08.0007.jpg
26.7.2 The interior of the vessel is streaky black (uneven) except for the tondo (reddish brown), that depicts a (shadow of a) man, in a short chiton, facing right and advancing. He is holding a (thorny) club with his right hand and his himation with the left one (using it as a shield?), while his sword is visible at his right side. Exterior: The lip bears a thin, black line. The surface of the body is reserved (up to the point where the scene ends) but bears decoration in black. The scene is repeated on both sides; the myth of Heracles and the Bull. Herakles has captured the Bull from the head. Hanging in the background (above them) there are Herakles' club, cloak and quiver. The scene is flanked (left and right) by fan-shaped palmettes (voluted at the bottom with long, narrow divisions). The lower part of the handles' external surface is black and under either of them there is an ivy leaf (heart-shaped). Below the scene, there is a streaky black line and, after a reserved, thin band, the vessel is (streaky) black up to the end of the foot, whose side surface is reserved, though. The base is reserved but bears a red thin band at the center of the resting surface. No incisions or added colour have been used. 2003.09.0004.jpg
26.7.4 Top of mouth one thick and four thin bands. Dots appear on side. Four horizontal lines appear on the handle. Daisy pattern on shoulder and below that three bands. Three warriors marching right in snowstorm, spears sloping forwards. Shield of central warrior blazoned with flying bird, other two divided vertically, one half red and the other brown. All figures and shields are incised. Six bands down to base. 2004.95.0069.jpg
27.3.1 Greenish ground. Inside is purple/red band then brown paint inside. Outside from top to bottom; black, white, red, white, brown, white, red. Eight black rays radiating from bottom. On base are three concentric black circles, the outermost is the broadest. 2003.97.0212.jpg
27.3.2 Pale cream ground, paint brownish-black. In handle zone vertical bars, rest horizontal bands. Inside brown for black. 2003.02.0073.jpg
29.11.11 Female mask or protome; suspension hole in top. Clay brown, covered with white slip. 2002.97.0421.jpg
30.11.2 Handles turn outwards and end in small knob where they join body. Inside from top to bottom, vertical lines in groups, circular pattern of brown with some red showing through. Sides concave and decorated with groups of straight or wavy lines in four rows between bands of two or three. Base is plain. 2002.97.0084.JPG
30.4.1 Clay buff, coarse. Decoration: brick-red to brown on creamy buff. Zones of pattern: Step pattern between handles, chevron and dot under handle; bands; zig-zag; bands; wave pattern; bands; thick black band to foot. Underside of foot reserved except for three thin bands. Top side of handles has band pattern on then. Inside body, seven thin bands on a reserved backing. Leaf pattern on rim. 2002.97.0457.jpg
33.4.3 The mouth, neck, and handle are black, with some reddish patches. There are two reddish brown lines above the shoulder carination and two below it. The body scene depicts a naked youth in profile to the right, offering a bird (duck?) to Charon (the ferryman who conducts souls to Hades). The latter, standing on his half-moon shaped boat, wearing reddish-brown clothing and a dotted ovaloid headdress, is accepting the offer. Below, there is a reddish brown line on a reserved (but glazed) area. The rest of the vessel is black, with the exception of a red line on the upper part of the foot and its reserved (but glazed) vertical element. 2001.99.0009.jpg
34.10.10 Around the base of the neck is a string of tiny round impressions. Below handle are twenty-one stamped eggs arranged in an inverted triangle. Body is ribbed vertically. Moulded groove around foot. Object is black all over, although top half of body is lighter, almost brown. 2003.97.0476.jpg
34.10.24 Standing female (Leda), left leg slightly bent. Naked with cloak over left leg and held up behind by left hand; swan, with neck stretched upwards, held against right hip. Clay light brown. White slip, blue on cloak. Large rectangular opening in back. On the back of the base is a piece of paper with the number 140 written on it. 2004.95.0122.jpg
34.8.13 Standing nude male, arms at sides. Legs apart, right knee slightly bent. Clay light brown. Plentiful red colouring. Solid; rectangular base. 2004.95.0058.jpg
34.8.9 Quatrefoil with side hatching and central zigzag. Below, three petals below zigzag. Six-pointed star on back (very faint). On top of mouth four bands, the second from edge is broader. Dark brown patterning and yellow-buff clay. 2004.95.0104.jpg
35.5.10 Inside black with a reserved line at rim. Outside, head and shoulder of boy with his himation pulled up over the back of his head; on the wall tablets hanging vertically; behind his head part of a fillet hanging up. No relief contour; hair contour reserved; brown lines for marking on tablets; surface an unusually deep red. 2003.21.0006.jpg
35.5.11 Feet and lower part of himation of a male figure, turned to the right, leaning on a stick; brown on border of back fold of himation. 2003.21.0082.jpg
35.5.12-14 16, outstretched hand and part of garment; 17, lotus and small piece of drapery; 18, lotus. No relief contour; brown markings on lotus. 2003.21.0086.jpg
35.5.15-19 Inside, 20b, meander border broken by cross, small piece of drapery. Outside, 19, two males in himatia facing, standing by a cushioned stool; hanging on the wall a shield and sheathed sword; 20a, tendril and corner of drapery; 21, tendril and part of himation; 22 and 23, bits of himation. No relief contour; brown for border of himation on 12 and 22, markings on seat of stool, cushion, and sword sheath. 2003.21.0094.jpg
35.5.20-22 Inside, 25b, 26b, meander border broken by square (rubbed and indistinct). Outside, 24, arm and part of body of woman dancing, the sleeve of her chiton pulled down over her hand; watching her a male in himation with stick, behind him a dropping lotus; 25a, legs of male in himation with stick; 26a, palmette. No relief contour; brown for bottom edge of himation. 2003.21.0088.jpg
35.5.23-26 Inside black with no reserved line at the rim; 27b, meander border. Outside, 17a, ivy leaf springing from handle base, foot, and lower part of himation; 28, corner of drapery, fillet hanging on wall; 29, head of male wrapped in himation, halter hanging on wal; 30, part of body of male tightly wrapped in himation. No relief contour; brown for bottom edge of himation on 27a. 2003.21.0005.jpg
35.5.4-5 Inside, 8, meander border, part of head and shoulder of a woman wearing saccos, chiton (a very small part of the neck border alone remains), and himation; 9, bottom of himation with one foot. Outside, surface destroyed, leaving only a tiny piece of tendril. Relief contour for foot; relief lines for ear, saccos, folds, and ankle; thinned brown glaze for bottom edge of himation and line of dots ornamenting saccos. 2003.21.0091.jpg
37.11.8 The decoration is executed in a colour varying from dull black to brown, on pale buff ground. Rim: Concentric circles on the upper surface and spots (tongues) on the side one (stephane). At the joining point of rim and neck there is a band and at the upper part of the neck a horizontal row of spots. Central handle: Decorated with short, thick, leaning lines. Neck: An olive wreath, the ends of which meet at the front where there is a cluster of olives (?) (dots). Shoulder: There is another horizontal row of dots immediately below neck that seem to be hanging from a line. At the join of shoulder and body, there is a broad band in the middle of two thin, concentric lines. Body: In the front, between the two handles, an olive-tree branch, framed by (left and right) a vertical motif of a row of dots, a line, two rows of larger, ovaloid dots and another line. This motif can also be found at the other side of the handles, used to frame a linear pattern (from a short line appear to be emerging three longer ones. On either side a vertical line, which leans slightly towards the motif in the middle. From the centre of this line emerges a long, wavy line. Below: there are two, concentric bands and three more that are not very obvious(?). The handles are ornamented with large dots. The foot is black, but the colour looks uneven. Interior of neck: Two concentric circles. 2003.36.0007.jpg
37.7.2 On mouth three bands, middle one broad; on handle horizontal bands at top and bottom. Daisy petal pattern on shoulder. with three brown bands beneath. Bearded siren with outspread wings to left. In field dots and rough rosettes, one incised with parallel lines. Back left plain in the 'white style'. Bands around foot and two on base. 2003.05.0002.jpg
38.4.2 Reddish-brown on pale buff ground. The false neck is decorated predominantly in a black band, with a narrow and broad black circular band in the centre of the false neck. The underside appears to be reserved, with a single thick black line at the base on the false neck. The true neck has a faded broad back band around and overlapping the lp. There is a broad black band at the base of the neck, and also a black blob on the side facing the false neck. On the shoulder there are six groups of narrow black lines painted horizontally. There is one group of either side of the true neck, both have eight horizontal lines, the one on the left has two rings of black to either side of it. The groups of lines on the other side, if faced with the true neck at the top, have groups of 6, 7, 9. 8 horizontal lines, all with a small ring of black in between them. The shoulder is outlined with a broad ring of black. The body has four broad black lines, which have faded to a reddish brown. Adjacent are narrow red rings; four above the first band, two within the first band, two within the second band, two or three below the second band. The fourth band does not overlap the base, which is slightly concave in shape, and has the suggestion of a foot ring.
38.4.3 Black detail faded to brown on pale buff background. Interior of mouth has faded remains of a 0.6 cm thick black circular band. The rest of the interior is reserved. The lip has indications of one, possible two extremely narrow black bands around the circumference. The neck shows signs of either having a very thick black band or several narrow black bands painted closely together. On the shoulder there are two narrow bland bands, then an 1.5 cm area of cross hatching which is surrounded on both sides by a broad black band. The handles appear to have been painted in black on the top and side, and reserved underneath. The main body of the pyxis consists of two narrow brown bands separated by the reserve, then a black band, the pattern is repeated once to the base. The base itself has a black band which overlaps from the body, then two groups of concentric rings, three in the inner circle, and four in the outer circle. 2003.01.0004.jpg
44.6.1 Clay and surface of vase ferruginous buff, black glaze fired in parts to a pale orange brown. Inside is black with traces of red bands and there are red bands on the inner rim. The upper surface has circular patterns of dots (lotuses?) alternating with vertical rows of dots. Below these and above the handle are three bands, red between two black. Below handles are two bands and another around foot. Three bands on base with central dot. 2003.35.0091.jpg Interior: Black, apart from a thin band at the joining point of the rim and neck, and the top surface of the rim, which are reserved. Exterior: The rim is black and there is a thin reddish brown line below it. Neck: There is a thin, black line. Below, there is a fan-shaped palmette (three divisions, a central rectangular part, and the details have been rendered with incisions), between two parts of motifs. The left one may be a palmette (a petal-shaped division in the middle and below, two round? or voluted? motifs almost faded away. The right one could be part of a similar motif.
45.10.20 i) Part of a voluted palmette with petal-shaped divisions seems to be connected to part of a three-pointed floral motif by a thick, black, curving line. On the left there is another, identical three-pointed flower, only bigger and illustrated inverted and vertically and at the left end of the fragment another curving line. Below these, there is part of a perpetual meander pattern and the upper part of continuous, teardropped motives. Some form of greyish (light) brown plaster has been applied to the surface around the voluted palmette. ii) Small part of guilloche (thin fillets with tongue-shaped endings interwoven together) with dots among the lines. Below, there are traces of thin, black lines (but not visible because of burning). Underneath, radial-shaped motif. iii) Underneath two thin lines there is a meander pattern. iv) Part of the upper ending of a radial-shaped motif. v) larger part of a radial- shaped motif. There is part of a thin, horizontal line on the top of one of the divisions and more to the left there is a circle with a dot in the middle and two vertical lines (part of the guilloche). vi) Small part of the guilloche and radial-shaped motif below that.
45.6.2 Brownish-buff ground. Inside is black with traces of red lines. Outside from top to bottom, vertical black (now red) wavy lines, two red, one black, two narrow black, wide red, two narrow black, wide black, two narrow black bands. Foot is brown and base has four concentric circles. iddle thick band red, rest of decoration brownish-black. Worms in handle zone, then two thin bands. 2003.97.0209.jpg
45.6.25 On brown ground is painted the remains of leaves and flowers in white, with dark red and blue-black. Small central knob handle. Rim flares upwards slighlty. 2003.98.0015.jpg
45.6.56 Three bands (once brown) around neck. Two bands around body. Remainder reserved. 2003.98.0076.jpg
45.6.62-63 Bowl-skyphos shaped and inside was painted brown. Outside, from top to bottom are concentric yellow, white, orange, black circles, with triangles between and pendant pairs of white spots. Below are pairs of red and white vertical strokes. The lower part is reserved. White band around foot. Lid is dark brown with central knob handle and steep shoulder but flat rim. Pattern matches that of circles and triangles on base. 2008.99.0624.jpg
45.6.8 In handle zone, two rows of black blobs (? leaves) in light brown ground. Inside black. 2006.20.0255.jpg
45.6.9 In handle zone double row of roughly painted ivy leaves, black on light brown. Inside black with reserved line at top of rim. Foot reserved. 2006.20.0259.jpg
47.2.14 light brown colour. Wide mouth, slightly narrower towards the base, with wide foot and flat resting surface. 2010.98.0207.jpg
47.2.4 The vessel's tondo is ornated with impressed (stamped) decoration, of thirteen ellipsoid motives (eggs, some not fully formed) that seem to be hanging from an impressed circle, on whose border rest thirteen palmettes (voluted with narrow divisions) on stalks. There is a reserved, but glazed line at the lowest part of the body and the concave area of the base is reserved, but glazed, apart from two, concentric, reddish brown lines with a dot in the centre. 2010.99.0180.jpg
47.6.2A-B Lid: Straight sides and a moulded rim at the top and bottom, both red. The plastic ring at the top of the lid black. The top is decorated with a depiction of a male figure, perhaps Dionysus (Ure) or Pan (Boardman) with horns springing from his head. He wears an animal skin (brownish dots) over his shoulders, with a hoof dangling. He seems to be stepping or sitting on another animal skin. In raised left hand he holds an indeterminate instrument (Ure: handleless fork; Boardman: syrinx) and he rests his right hand, brought before his body, on an oar-shaped object (trumpet; Ure: winnowing fan; Boardman: 'lagobolon'). To his left is the forepart of a pig (or dog?), and to his right, a basket with three corn stalks. There is also a red, thin line at the joining point of the plastic ring and the lid. The decoration of the side surface of the lid is a motif of vertical, hanging, wavy tongues, between reddish brown bands. There is also one inverted heart-shaped motif at some point between the tongues. Body: There is a red line at the rim and another one at half the way up the body, both on the inside and the outside. On the interior there are two, concentric, reddish-brown circles. Exterior: There is also a red line at the bottom of the body, while the disk-shaped ring is reddish-brown. Wide rim at base. Underside is reserved and central section flat. 2005.88.0043.jpg
47.6.4 Entirely decorated with matt black paint, turning to brown, except for reserved base. 2008.99.0577.jpg
47.6.5 Entirely decorated with matt black, turning to brown, except for reserved base. 2008.98.0301.jpg
47.7.2 Round, flat body with vertical spout at one end with a flared mouth. Single curved handle stretches from the rim of the mouth to the back of the body. All black apart from two designs. One one side is a panther, with detail picked out in black paint and whose face is in an odd perspective. On the other side is a dog, with black and brown paint used for detail. Reserved line runs asround the body below the animals. The base is red and flat. 2003.24.0002.jpg
48.12.1 Bowl of rather coarse clay. Interior glossed black, although only traces of brown remain. Two rounded handles, one on each side, with traces of faint brownish-black gloss. Outside, narrow bands immediately below rim and at base of handles. Between the handles is pair of parallel wavy lines (only on front). Black gloss from below handles to foot. Foot is rounded and base is concave and reserved. 2003.92.0249.jpg
48.12.13 Rim of the neck is painted red on the inner side, the outer surface of the neck is painted brown. Two black lines on a white wash decorate the shoulder, the handles are painted black on their outer surface. The upper body is decorated with a red band at the top then (on one side) a white wash, followed (on both sides) by six black bands with reserved areas between them. The rest of the lower body is decorated with a dark red wash. 2008.99.0242.jpg
48.12.3 Interior black glaze, except a reserved band just inside rim. Upper body reserved with darker red and black decoration; Three horizontal brown lines around the outside rim, six sets of five vertical lines spaced evenly around the upper body alternating with four occurrences of three concentric circles surrounding a central dot. Three horizontal lines below it separate this section from the lower body which is black except for one reserved band in the middle. Handles are a darker reddish brown (2.5YR 4/6). There is an incised cross on the inside of one handle only. The slightly flared foot is also black with a reserved resting surface and underside. 2002.97.0519.jpg
49.1.1 Interior reserved except for red central interior surrounded by thin red and black bands. The vertical part of the interior of the rim has black and brownish bands. Decoration of thin red and black bands, with dots at edge of mouth and outlined tongues round shoulder. Outside of handle black. The underside of the foot decorated with three concentric black bands and dot at the centre. The ring on the interior and exterior covered with brownish paint. The resting surface has two thin concentric brownish bands. Sloping part of the body two thin brown bands. Above the ridge, brown band and that part covered with brown paint. 2003.92.0300.jpg
49.4.2 Woman with a fan and a ball, seated in a naiskos; kalathos on either side. The inner side of the rim bears a broad band (in the middle of the surface). The top surface bears traces of carelessly applied red colour. The edge is also black and its side surface bears a reserved line and a black line underneath, from which seem to be hanging short, vertical lines. The upper part of the neck is reserved, but bears a black band on its lower part. The rest of the neck is decorated with black colour, on top of which there is a tongue pattern in yellow (faded away) that contours the vessel (long, pointed on the bottom tongues). Below, there is a reserved line. Side A: The main scene depicts a female figure seated in a naiskos (monument with pediment, from whose upper part emerge palmettes and tendrils, epistylion, an ionic column on either side an top of a stylobates or crepis, the latter represented with a perpetual pattern of voluted motives and dots in between, framed by white lines, thin, black bands and white bands), on a diphros okladias. The woman is facing left, she is wearing a peplos, holding a fan with her right hand and a round object with the left one, below which there is a row of dots. She also wears a kalyptra and has her hair in a bun, from which emerge two wavy lines with round terminations. Behind her, at the level of her head, there is a window (square object with the middle part riddled). The naiskos is flanked by a kalathos on either side, decorated with black and yellow horizontal lines, tendrils and branches, as well as yellow tongues and yellow meander pattern. There is a row of yellow dots below each kalathos and a rosette on top. Below the row of dots underneath the left kalathos there is another rosette, whereas underneath the row of dots below the right kalathos there is a phiale. The details are executed with added yellow. The handles are black. The reverse is decorated with floral motifs: the area underneath the vertical handle is black, with an H-shaped black motif divided in two by a vertical line, on a round, brown background. The surface below the vertical handle depicts two fan-shaped palmettes, from which emerge elaborate, voluted floral patterns that expand to the surface below the horizontal handles. The lower part of the body is contoured by a wavy-like pattern on a brown background. The area below is black, although streaky on some areas, while the lowest part of the body is reserved but glazed. The foot is black, with a reserved resting surface. 2001.99.0150.jpg
49.8.10 Trefoil lip with black glossed rim, three narrow black glossed bands below. Three ducks in profile moving to the right. Underneath, broad black and red glossed striped band (approx. 1.5 cm wide); wings painted with black brush strokes on a red gloss, red beaks and black heads. Narrow black band on the junction of the foot with the body. Exterior of foot glazed black. Brown resting surface but reserved underside with white deposits. Blobs on the handle. 2003.93.0309.jpg
49.8.4 On the mouth, tonges framed by black bands. On the shoulder, tongues. Neck reserved. Lip has dots around the edge. On the handle, the decoration is hardly preserved, probably black bands zig-zag. Body has three purple bands with double rows of vertical dashes between them. There is a zone of tongues around the base, above of which thin brown line. On the underside of the base, black dot at the centre and traces of black band around it. 2008.99.0365.jpg
49.8.7 Inside is black with a reserved ring in centre (around hole) and a reserved band on the junction of the offset rim with the body. Rim is black outside and there is a moulded, reserved ridge above handles on the junction of the rim with the body. Two handles, one on each side are black on top and reserved underneath. Below the shoudler ridge is a band of lotus buds with dots all joined by a chain below, black band, band of eight inverted birds (cockerels and hens (?) one smudged) with a dot rosette. The figure zone is framed by thinly painted brown lines, two on each end. Black band follows and three thin brown lines which encircle the black rays rising out from the root of the stem. 2004.03.0001.jpg
50.12.17 Painted brown for black. Interior brown. Exterior: Has curved pattern down the middle in brown 2003.98.0222.jpg
50.12.18 Fragment of fine clay cup or open dish. Exterior: series of five thin parallel curved lines, cut through by a broader vertical band. The curved lines have faded to orange while the more densely painted horizontal line has faded to dark brown. Interior: three thin parallel curved lines that have faded almost completely in parts. . 2007.03.1243.jpg
50.12.2 Fragment of wall of krater or other open bowl. Pale clay, white slip inside and out. Glaze yellow to brown for black. Interior broad black band. Exterior, bands of curved and straight lines. 2003.98.0093.jpg
50.12.20 Exterior: brown lines, curved line with horizontal waves above, and six vertical lines rising from the curve (perhaps a fish); broad band below. Interior: reserved. 2003.98.0169.jpg
50.12.25 Exterior: white slip decorated with net pattern in brown; interior: reserved. 2003.98.0132.jpg
50.12.39 Exterior: thick brown band, from which extend, at a diagonal, two thick curved brown/black bands and one thinner atc. Interior reserved. 2003.98.0085.jpg
50.12.40 Interior unpainted. Exterior, upper half; two bands painted black, faded to dark brown. Lower half; a section of a crossed-hatched motif. 2003.98.0245.jpg
50.12.41 Interior: glazed black; exterior: part of a spiral motif, black faded to (or fired) brown. 2003.98.0219.jpg
50.12.42 Jar fragment, black, faded to brown, on the interior. Exterior: across the top part of a horizontal band; below, a quarter section of a spiral motif painted black, faded to brown.
50.12.45 Exterior: brown band at the top, with two parallel lines at a slant to the band. At the bottom are part of two brown circles or semi-circles, with a dot or two in the centre, and dots around the circumference. Interior reserved. 2003.98.0239.jpg
50.12.49 Fragment, appears to be the upper body of a sculpture of a woman. It has a net like structure of brown lines on both the front and back. 2003.98.0125.jpg
50.12.50 The figurine probably represents the body of a woman (a 'phi'figurine). The figure is decorated with a series of slightly wavy brown lines, arranged vertically. 2003.98.0114.jpg
50.4.4 Face is painted white and hair has dulled to brown. Holes at the ends of the fringe indicate that some added decoration may have been lost. 2004.07.0007.jpg
50.5.3 Shoulder: two cocks facing each other, heads downwards. Purple for comb and wattles. Body: two swans facing each other with their heads down and wings open: Added red on wings. It has faded on the left one. Added white bands on wings of swand and cocks that has mostly faded. The rest of the body is black, fired to brown. Ring on the junction of neck and shoulder, foot and handle black. Underside of the foot reserved. 2007.01.0012.jpg
51.1.2 Interior and exterior of the mouth, neck exterior of handles black, fired mostly reddish brown. The underside of the rim has a reserved band. Underside of the handles reserved. The body is all black apart from the metope carryint the figure decoration and a reserved band decorated with radial-shaped motif beofre the black foot, decorated with two red concentric bands. Resting surface, underside of the foot. The top surface of the rim is decorated with two, concentric, red lines. Another marks the junction of the neck with the shoulder. The neck is black (reddish brown on the reverse side). The main scene begins from the top of the shoulder (under a red line), down the main part of the body. There are two confronted bulls with their heads bent downwards. Added red on partsof their bodies. Between them, there is an ivy leaf (heart-shaped). They step on a thin, black line, which separates the shoulder zone from the body metope. On the body, two warriors attack other two. All warriors have spears with teardroped terminations (three terminations are visible, the fourth is on a missing area) and wear helmets with coverings for the cheeks (only the right pair's are visible) with details (dots for the first and fillet for the second warrior) in added white (now fadded away). They all held shields as well. All are round, except for one. The right pair's episemata on the shields are visible (upper part of seated lion / tripod, rendered with added white that has fadded away), while the other pair's shields' interior is visible and so the porpax (handle) can be seen on the left warrior. Additionally, they all wear greaves. Added red on the contour of the shields, the interior of the shileds, helmest, one hoplite's greaves. Between the pairs there is an eight-pointed star. There are also two horizontal red lines below running around the body of the vase. Two horizontal red lines frame the reserved lower zone decorated with the linear motif. The foot is black, with two red horizontal lines. The base is reserved. 2010.98.0180.jpg
51.4.11 Glaze is dark brown, sometimes with a reddish hue. Glazed on rim, neck (interior and exterior), handles, at junction of body and stand, and on exterior of foot. Cartoon-ish black-figure scenes on body and stand, with incised detail. Body, side A: Legless horseman, with arms spread on either side, to right on a horse held by a bearded man in a short tunic, with a dagger at his right side, who stands to his left. Behind him stands another bearded man wearing a short tunic, who holds a branch in his outstretched right hand, and bends his left arm at his side. Body, side B: Another legless horseman advances to the right, also with arms outstretched, on a horse, galloping towards a bearded, male figure, wearing a long tunic, who stands profile to the left. Stand, side A: Two confronting water birds, with 3 flecks behind the right water bird. Stand, side B: Two male figures in profile to the right, with a dagger at his left side; the second figure, who is shorter, seems to be bound. 2002.97.0369.jpg
51.7.9 Tapering body to wide splayed foot. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base. 2009.99.0068.jpg
56.8.7 Interior glazed. On top, curved surface, are tongues which alternate black and white, the black ones also framed by black lines. The underside of the rim is black fired reddish brown. Thick stem and wide, with a plastic ring to the joint with the base. Flat base, curving upwards. Resting surface and concave base both reserved. 2008.98.0308.jpg
57.3.1 Clay pale, paint greyish brown: large closed vessel, interior unpainted. Exterior broad black line, and part of a circular spiral in black. One small faded black line in middle of fragment, a section of a semi circle to the left of the broad black line. 2003.98.0173.jpg
57.3.6 Interior: broad brown band just below rim. Exterior: brown zigzag pattern enclosed within two brown lines. Thin painted band around rim. 2003.98.0176.jpg
57.7.9 High, curved handle attached to triangular mouth. Traces of black paint. Many bands of brown/yellow around body. Vine pattern (?) or leaves on stem (?) still surviving around middle in dark brown. Dark brown band just above the base.
58.2.2 Brown paint on lip, one line halfway down neck, two round edge of shoulder. Incised lines around body. Small depression in centre of base. Small metallic particles in clay. 2003.98.0040.jpg
58.2.6 Brown clay(?), blackened greatly in places. No pattern can be distinguished. 2003.92.0112.jpg Buff clay, painted reddish-brown to a depth of 4.0 on the exterior, 2.5 on the interior. Applied grey band over brown on the exterior. 2008.99.0501.jpg
62.5.1 Decoration is dark (brownish-black fading to red) on a light ground. The interior is decorated with bands around the rim and in the bowl (with an ill-made join). The exterior is decorated with a band around the rim, brown fading to red on the exterior of the handle, and another band where the cup tapers to the base, beneath which six narrow bands in dilute glaze are evenly spaced to the foot, the exterior of which is red. 2003.94.0036.jpg
65.6.1 The mouth (exterior and interior), larger upper part of the neck and the handle are black (uneven and at most areas reddish brown) apart from the upper surface of the rim, which is red. There is a grey line on the neck and the surface of the shoulder bears decoration of voluted palmettes with narrow divisions and tendrils, widely spread to fill the space. The upper part of the body bears a meander pattern between two pairs of brown lines (above and below). Every fourth meander the pattern is interrupted by a saltive cross with a dot on each one of the triangular surfaces around it. The meander pattern continues as far as the scene below it is depicted. Main scene: A young man, wearing underwear? is seated on his himation, at the left side of a two-stepped tomb or pedimental funerary monument (grave-stele). At the right of the scene, a woman wearing a black and red peplos is bringing offerings. There is a brown line below them and the rest of the vessel is black, with the exception of two exteremely thin lines that are reserved at the joining point of the foot to the body and the side surface of the foot that is red, although the slip has not been evenly applied on the whole of the surface. Lastly, the resting surface is reserved. 2003.95.0173.jpg
67.7.2 Brown clay, with slight white spot/imprints?
71.12.1 The interior and the exterior of the mouth as well as the handle glazed. On the exterior, the black is fired brown. At base of neck, ridge in place of drip-ring painted purple. Shoulder: ivy leaves on each side of central purple line(six above, seven below); on body five inverted opening lotus flowers with central petals white. Above them row of white dots. Lower half of body and exterior of the foot glazed black (turning red in places). Resting surface and the underside of the foot reserved. 2002.97.0702.jpg
73.10.1 The top of the knob is covered with brown paint, apart from the central part.The knob is decorated with three parallel brown bands ; reserved at join with lid; 9 rays radiating from the edge of the knob.Two thin concentric brown lines, red-brownish bands framing a band of double dots. Black line at the edge of the lid fired brown. The edge of the rim is painted black, fired to brown. The underside is reserved. 2005.89.0024.jpg
73.9.3 Singular arm of handle remains, outside of which has a black glaze, the inside does not. Remains of rim, same colour as this handle. Dot rosette and dotted swastika below handle, tip of palmette leaf on right of handle. Two dark brown bands at bottom edge of fragment. 2002.97.0215.jpg
73.9.7 The inside is black with a reserved band around the inside of the rim and again roughly half way down the inside. In the centre is the remains of a brown disk. On the outside, only part of the rim and main zone of skyphos remains, as well as one handle. The handle is mostly black, but reserved on the inside. The main zone shows: parts of three palmettes, one upright, one reversed, then another upright in black. A thick black band runs round the outside of the rim, a thin one underneath the main zone. The stem is black as is the upper ridge of rim of the foot. The lower ridge is reserved, as is the base of the foot, except for a band of red/brown about half a cm in. The inside of the foot is hollow and reserved, except for a very thin red/brown band, and a dot in the centre. 2002.97.0189.jpg
74.7.5 Female protome, burnt. Brown clay, covered with white slip. Suspension hole in top. Label on back 'Thebes' in P.N. Ure's writing. 2002.97.0398.jpg
79.1.4 Moulded radial decoration on three quarters of the shoulder, moulded ring around the discus. Small single volutes demarcate he sides of the nozzle. Dark brown wash. 2005.01.0025.jpg
83.5.2 Base of 4th c. BC coarse ware open vessel, painted black, fired reddish brown inside. Clay pink, with shell inclusions. Graffito on base (see drawing on card). Foot concave with central peak projecting.
91.11.5 Brown glass, green/purple lustre on bottom surface. See card for drawing. 2005.02.0232.jpg
E.23.18 Head only (more rounded than E23.17 and heavier) and part of the headdress. Brown pigment on face, black and white pigment for eyes. It is unclwear what kind of decoration there was on the headdress, however both the carved and painted facial features are very distinct. 2007.99.0105.jpg
E.23.26 Brown wash (?) 2007.01.0059.jpg
E.23.27 Pale fabric coloured brown on the surface.? 2002.98.0191.jpg
E.23.3 Model of Nile boat, with six rowers with six oars and a steersman standing and steering with paddle. Another figure standing in front of steersman, by mast, and a final figure sitting behind the rowers. Figures are painted with brown pigment for skin, black pigment for hair. There is a faint red pigment on the 'deck', going from top to bottom and then several horizontal lines.
E.23.49.1 Tapers from a flat edge to a point. Serrated edge, other two sides. Brown in colour. Has word knife written on flat underside. 2002.98.0138.jpg
E.23.49.2 Very light brown in colur. Slightly curved and rectangular in shape, shorter inside edge serrated. Flat underside with 'Kn' written on it. 2002.98.0139.jpg
E.23.49.3 Tapering to a point at both ends, not serrated. Light brown in colour, flat underside with '843' written here, word 'Knife is written on the other side, 2002.98.0131.jpg
E.23.49.5 Triangular, serrated on longest edge; right angle where held, slight notch for gripping. Underside flat, word 'Scraper'written on otherside, light brown in colour. 2002.98.0145.jpg
E.23.59 String of beads made up of three lines of green cylinders and buff disks, these meet up with a short line of brown beads and then split up into three seperate strings again. There are 14 groups of three lines. 2008.08.0083.jpg
E.62.52 Beetle is painted with black pigment and some brown on thorax. Wing bars are painted brown and feathers in black pigment. The underside is highly blackened. 2007.99.0110.jpg
E.62.59 Reddish brown, slightly blackened inside, slight straight lip, fairly shallow. Similar indentations around the side of the bowl like E.62.37. 2002.98.0087.jpg
L.2016.3.31 Few traces of different coloured paints. Few, small black or dark brown flecks allover the surface, a little more at the saddle, belly and mane. There are very few traces of green glaze at the top of the nose and front part of belly and saddle (and white as well as red-brownish flecks at the rare part) on the right.
REDMG:1935.87.11 Exterior decorated with vertical black/brown bands. Both handles are coloured brown on the outer parts, but reserved inside. The base is decorated with a black band on its exterior. On the interior of the rim is a broad black band, then a red band. The design in the tondo shows two ears of grain on either side of a red rosebud on a stem (or a lotos, according to the authors of Corinth 15.3).
REDMG:1935.87.13 Inside black except reserved band at rim 0.5cm wide. Red and black band around rim, beneath which is a reserved band. Thin black and red band just above handle followed by further wide reserved band approximately 1.2 cm wide. One handle reddish brown, the other black, both dipped. Lower body black with one dark red-brown patch below redddish brown handle. White deposits on joint between body and foot. Flared foot also black with reserved base and broad resting surface. 2005.89.0090.jpg
REDMG:1935.87.22 Tongues emerging from mouth between two bands. Dots around the rim and tongues again on shoulder. Zigzag with two dots on handles. Main design is five warrior figures facing left, carrying large shields. Each shield is bisected with incised vertical parallel lines and coloured one half red and the other half yellow. The outer ring of the shield is brown, and the helmets which the warriors appear to be wearing are yellow. The base has two bands around tongues with two bands the other side.
REDMG:1951.144.1 Exterior black glaze with red figure decoration all over; underside reserved, except for broad black band at curve from plate to stem, black on exterior and interior vertical surfaces of foot, and broad black band around pointed centre of plate. 12-petal rosette in central well, surrounded by red band, wave pattern to left, and black and red bands; figural scene showing three different types of fish (bream in profile, xxx and cuttle fish, shown from above) advancing to the left. Mussel and 6-petal rosette in field, on either side of the xxx. Rim decorated with red band above a laurel band to left floral motif. Red parts of decorative bands ruddled, whereas streaky brown has been used for artistic effect (shading to render a three-dimensional impression) on the fish. Some details on central rosettes and fish rendered with added white and yellow. 2005.99.0120.jpg
REDMG:1951.153.1 Decorated with geometric designs in medium brown paint: stripes in two directions on the head; two horizontal bands around neck, above vertical bands; scalloped designs on chest of bird; wings delineated with two bands on either side, filled with s-pattern; horizontal bands on neck; bands on either side of an ‘x’ behind the handle; top of tail filled with tall zigzags. Reddened inside mouth and around the neck 2005.90.0025.jpg
REDMG:1951.154 Interior of mouth black; lip decorated with concentric bands (black, reserved, purple, reserved, black); rim black; three brownish-black horizontal bars on handle; neck, reserved for black band just above bulge, frieze of tongues on upper part of bulge; brown band on lower part of bulge; body decorated with purple band, brownish-black band; reserved band decorated with three rows of brownish-black dots; thin purple band between two broader brownish-black bands; reserved on lower part of body and base. 2005.99.0098.jpg
REDMG:1951.159.1 On neck, between black handles, an enclosed palmette (11 petals on A and 9 petals on B; with two concentric arcs for heart on A, black dot for heart on B), black dot on either side of central petal, and black dot in the upper corners; black ridge below black line; frieze of vertical bars below each handle attachment; beneath each handle two superimposed palmettes, with a pair of volutes between, from which emerge tendrils, sprouting quarter palmettes. A: egg-and-dot frieze, between two black lines; white ribbing (painted); two reserved bands; floral frieze on shoulder (four volutes from which emerge flowers, tendrils and secondary volutes) emerging from the lower right; two reserved bands; scene. B: Continuous maeander to right, between two black lines; black ribbing (painted) between two pairs of black lines; a female head, profile to left, wearing a sakkos, from which emerges curly black hair, at front and back. Below the body zone, around the entire vase, is a decorative band consisting of dotted broken stopt maeanders to left (pattern doesn’t match up on side B, to the left) between two reserved bands; black below. Scene, A: A naiskos comprised of two Corinthian columns supporting a tapered epistyle and black pediment, on top of a podium (white maeander on a brown background, between alternating black and white horizontal bands). Two white female figures stand within the naiskos. The figure at left, standing in 3/4-view to the right, wears a himation over her left arm and hips, over a peplos (decorated with two vertical purple bands on the chest). Her hair is bound in a sakkos from which emerges hair at front and back; her jewelry includes a beaded necklace and two bracelets on each wrist. She holds a fan in her raised left hand as well as a wreath in her lowered right hand. She faces another woman (probably the deceased) who is seated in 3/4-view to the left on a stool (diphros) and rests her feet on a footrest (hypopodion). She wears a short sleeved chiton and a purple himation that she holds above her right shoulder in an unveiling gesture (anakalypteria). Her hair too is bound in a sakkos, from which emerges hair at the back; she wears two necklaces, one beaded, and two bracelets on each arm. A small ornament (or pures) hovers in the field between the two women. On either side of the naiskos is a kalathos (basket), below a rosette (red with added yellow and white), above a pair of white balls interspersed with clusters of three white dots, and above a double line of white dots. Each basket (both are identical) is decorated with a cross-square with intervening triangles (top) and alternating bands of zigzags, and white and black lines, as well as a band of vertical bars. 2005.89.0030.jpg
REDMG:1953.25.61 Glaze fired red in places, now changed to brown, through secondary burning. 2004.99.0164.jpg
REDMG:1953.25.74 Coarse material. Very shallow plate. Inside are traces of orange and brown deposits. Incised band inside rim and maybe around base too. Surface is not flat but has small lumps, perhaps caused by inclusions. Base is flat. Reserved. 2003.93.0170.jpg
REDMG:1953.25.79 Dark brown wash all over inner and outer surface, darker in patches. Wire cutting marks on the base. 2005.01.0248.jpg
REDMG:1953.25.87 Mounted horseman to right. Horses legs moulded onto flat background. Brown clay. Hollow with a hole in flat, unmoulded back, possibly for hanging. 2003.93.0137.jpg
REDMG:1964.1621 Fired Brown (darker towards top). 2008.99.0225.jpg
REDMG:1964.1677.1 Two brown bands on the exterior, one near the rim and another near the base.
REDMG:1964.1695.1 Sharply curving. Exterior surface appears to have been brown on one half. Thin incised lines go aroung the other half. Clay is greenish. The interior surface is darker with deposits. 2006.20.0516.jpg
TEMP.2003.6.24 Fragment of pot, including slight buldge where handle begins. Exterior, black lines on white background. At the right edge of the top there is a triangluar bit of black that looks like it originally belonged to a square surrounded on both verticle sides by twin sets of thin brown verticle lines. Less than 1 from the top there are two brown lines that follow the curve of the jug horizontally spaced .3 apart. Under these lines on the left is a large2.5 hieght figure eight pattern made up of three lines that swirl around to create the eight, with little v's on the outside of the eight pointed away from where the figure eight lines cross. On the right side, two bworn/black lines curve around where the handle would have begun. The handle section is all black, although chipped. Under the figure eight is a .6 thick black lines running horizontally around the pot, broken by a thin pink line a little below the middle. there are two other thin pink lines equidistant from this first one, one above and one below it by about .4, the top pink line being right above the top of the black line. Underneith the bottom pink line is a segment of a different pattern. Interior is black over pink and white, which is worn away enough in many parts to see the pink and white colors. two thin and faded white lines form bands near the top.
TEMP.2003.6.6 The interior is black, but there is a reserved band on the fragments that come from the vessel's rim (a, b, c, d), which also bear a reserved band on the upper internal side of the rim. a) The black colour appears streaky (it varies from reddish brown to brown) on the rim (interior and exterior), as well as on the handle. The colour of the decoration appears brown and reddish brown on some areas. There is a broad band that bears two palmettes (one on either side of the double handle), while the surface between the two springs is reserved. On the left side of the fragment there is the right part of a motif (front legs of horses?). Below, there is part of a black line. b) The rim is black. Below, there is the upper part of a charioteer, riding a chariot with four horses (part of them is preserved). Details of the horses have been rendered with incisions. c) The rim is black, however the black colour is uneven and leaves part of the right edge of the fragment's rim reserved. Underneath a thin, reserved line, there is a palmette and next to it part of the line that contoured the spring of the handle. d) The rim is black. Below, there is a female figure's head and in front of her (at the level of her face) there is part of a curving branch, with dots on either side (part of wreath?). e) Part of a palmette, a black line and a black band. f) There is a dot in the middle of the resting surface, contoured by a circle. There is also part of a wide, band, between thin lines, above which, there is a graffito? in the shape of X. 2006.20.0464.jpg
TEMP.2003.6.8 The interior is black, apart from a reserved line on the upper part of the rim. a) The rim bears a black band. Below, there is a palmette on the left of the fragment (an almost round centre from which emerge petal-shaped divisions), as well as part of a carelessly rendered curving line. On the left there is the right part of a figure next to three barnches with dots on either side. There are also four large dots on the background. b)The rim bears a black band. The rest of the surface appears to be reserved. c)The rim bears a black band. On the right side there is the largest part of a palmette (round center, rendered with added red and petal-shaped divisions). There is part of a black line that contoured the handle (partially covered with adhesives and plaster). On the left, there is another figure (carelessly rendered, between three similar branches (on the right) and part of an (undecipherable) object that consists of black colour, incisions and added red colour. There are also four large dots on the background. d) The rim bears a black band. There is part of the object on the left side of c and on its left there is part of a black dot. e) On the left side there is part of a curving line with a voluted ending (tendril?), which is connected to a palmette (voluted, with round center and petal-shaped divisions). Next to that there is an object that consists of three parts. The upper is round and the details are rendered with incisions and added red, the middle part is a small dotted branch and the lowest part is a short, vertical, thin band (thyrsos?). From its middle part emerges another dotted branch. There are five large dots on the background. On the right side of the fragment there is the left part (small part) of a figure? (carelessly rendered). f) The part of the lowest body that is preserved bears the terminations of palmettes? depicted on the body (short, clumsily rendered bands are preserved). There is also a reserved thin line between two broad brown bands. The foot is also brown and so is the inner sude surface of the foot. The rest is reserved, with the exception of five thin, concentric circles on the base. g) The fragment bears the lowest part of a palmette (the left volute and part of the round center)on the left and part of the reserved area between the two brown bands.
TEMP.2003.6.9 Rim section of a bowl. Exterior white with a band consisting of twin brown lines with alternating black and white rectangles interior along the top .3. There are two small blueish sploches marring the otherwise well preserved surface. Interior is black over white. The white shows through in a line along the edge for about .2 and then there is a brown line, and under this the rest of the background is black. Near the top of this black section is a set of white lines with white dots set in between them at regular intervals. Under this pattern is another thin white line. Under this is on part of a triangle pattern consising of a white outlined triangle with a white line forming a second triangle within the first and a red dot at the center of the triangle.
TEMP.2003.7.1 The edge of the rim is painted with a small line of brown, which is fairly worn. Interior has a brown coat over white paint. The brown starts 0.2 below the rim. There is also a small red splotch near the edge of this side. Exterior is white.
TEMP.2003.7.2 Interior white with a pattern of brown waves set in between sets of two thin yellow lines which begin .2 below the rim. There is a small bit of brown that seems to be part of some other pattern at the bottom of the fragment. Interior is brown/black with remnants of a white fan or floral pattern, which is heavily worn. A good deal of the interior is worn down to the original terracotta.
TEMP.2003.7.3 Exterior white with brown patterns. Following one edge abour 1.0 down is a set of faded brown lines. Between the edge and these brown lines on one side are five brown lines perpendicular to the two lines, while on the other is a single parallel brown line with 5 short perpendicular lines crossing. Below the two brown lines is a brown blob that looks like it may have once been a horses leg, but is nothing in particular now. Interior is brown.
TEMP.2003.7.4 Five sided fragment. Exterior white with a pattern of parallel brown curves that get increasingly shorter, creating a pie slice shape. Interior black with a red line alone one edge. Right above the red line is a white line. There are also a few other splotches of white.
TEMP.2003.7.46 Light brown clay. Small mouth with flared lip. Long slender neck wider at top than bottom turning into pear shaped body with shorter foot and flat base. 2006.20.0417.jpg
TEMP.2003.7.5 Curved and painted on both sides. The "outer" concave side is painted light beige with two small brown bands running lengthwise along it. One band has another smaller brown band (about twice as thin) running beside it throughout the fragment. The other band has a smiliar smaller band, but only measuring about a quarter of the length and running off into the edge. The "inner" convex side is painted dark brown with two white bands running lengthwise. One of the white bands is dashed, while the other is complete.
TEMP.2003.7.6 On the exterior is a light brown line, followed by a cream line, and another brown one, followed by a lighter brown one and brown dots on a cream background. Then another light brown line and more cream until a dark brown circular shape (unclear because the fragment ends here). On the other side the background is dark brown, almost black, with white lines, almost like petals, with light brown dots in them.
TEMP.2003.7.7 Fragment from the central part of a bowl. Interior brown, with three pairs of white lines beginning about 1.5 from the top, 3.0 from the top, and 4.0 from the top. Under the second set of lines, are three white tear drop shapes that used to surround the center. Exterior white with pattern of alternating red and yellow/brown lines .2 to .8 apart.
TEMP.2003.7.70 Rim fragment decorated with orangey-brown on the exterior and light brown on the interior, with two orangey-brown stripes running across horizontally. 2006.20.0475.jpg
TEMP.2003.7.71 Rim fragment from a kylix with some of the handle. The exterior is dark brown with a light brown tip at the lip of the rim. The interior is light brown with a dark brown tip at the lip. 2006.20.0477.jpg
TEMP.2003.7.73 Interior decorated in dark brown with a thin light brown stripe along the inside lip. The exterior is light brown with dark brown stripes along the top and bottom part of the lip, and along the bottom part of the fragment. 2006.20.0497.jpg
TEMP.2003.7.78 Fragment, glazed black on both sides. On the outside half way down are two very thin, parallel, slightly faded, white lines. On the inside are two thin, parallel, brown lines along one edge. 2006.20.0559.jpg
TEMP.2003.7.8 Rim of a plate. Exterior, plate body plain, underside of rim black. Interior black over brown paint worn through in places. The rim itself is serated on this side.
TEMP.2007.2.62 Black glaze on rim; either worn black glaze or brown paint on body with some chippinh 2007.10.0080.jpg
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